Young Adult Literature and Multimedia--Resources
Teens and Downloading Music
Joanne E. Guy


    With the explosion of information available to teens and young adults via the Internet and other electronic sources in the last couple of decades, the term media literacy has evolved. Media literacy is defined as, “the ability to access, analyze, evaluate, and produce communication in a variety of forms”. (Aufderheide, 1993)  The media literate person “can think critically about what they see, hear and read in books, newspapers, magazines, television, radio, movies, music, advertising, video games, the Internet, and new emerging technology”. (Kaiser, 2003) This new world of information has created the need for educators to become fluent in these areas in order to teach our students to be informed and literate. One component of this new world of literacy is digital music. Today’s students routinely obtain and listen to their music in a digital format. Educators, including teachers and school media specialists have the task of teaching students the legal way to obtain this music.    
    A survey conducted  by Microsoft Corporation found that students, “between seventh and tenth grades are less likely to illegally download content from the Internet when they know the laws for downloading and sharing content online.” (News and Events, 2008) As part of a comprehensive young adult literacy program, teachers, specifically media specialists, have a responsibility to inform students of these copyright laws. It is suggested that schools implement a Digital Citizenship Program to inform students of the many laws and repercussions regarding the digital age. A five-step program is detailed in T.H.E. Journal and suggests first auditing the faculty and students, then having a technology leadership team evaluate the results and creating a comprehensive plan for the entire school. (Ribble & Bailey, 2004) There are many curriculums available to schools to teach this information, including The Digital Citizenship and Creative Content program a free curriculum created by Microsoft, which aligns with the ISTE (International Society for Technology in Education) and AASL (Association of School Librarians) standards. (Microsoft, 2008) Students need to be specifically taught the copyright laws, fair use laws and legal avenues for downloading music. Legal avenues would include sites for music for purchase, such as iTunes and sites for free music, such as Jamendo. Jamendo offers the largest catalog of music under Creative Commons licenses. The Jamendo site also includes information about Creative Commons to help students understand this aspect of copyright and the legality issues associated with music downloading.  Students can also explore the topic of downloading music on their own using such titles as, Downloading Music (Ripped from the Headlines) by Toney Allman or Downloading Copyrighted Stuff from the Internet: Stealing or Fair Use? (Issues in Focus Today) by Sherri Mabry Gordon both of which address this topic and would be good non-fiction additions to a school library media center.
    YALSA (Young Adult Library Services Association) sponsors a national initiative called Teen Tech Week each year. The purpose of Teen Tech Week is to ensure that “teens are competent and ethical users of technologies”. (Teen Tech Week (YALSA), 2010) The week’s activities encourage “teens to use libraries' nonprint resources for education and recreation”. (Teen Tech Week (YALSA), 2010) The program includes links for a wiki to exchange ideas with other educators, promotional materials for free and for purchase, as well as program activities. A school could use this week to promote the use of digital sources in the school library while offering the media specialist as an expert in this subject area for the students and faculty to use as a reference.
    Because of the popularity of downloading music, there is a plethora of materials available to educators to inform students about how to legally go about obtaining digital music. Forward thinking teachers and library media specialists, should look to these resources and integrate this information into their media literacy program to allow students to become life-long learners who make ethical choices about copyright and intellectual property.

References

Alman, T. (2007). Downloading Music (Ripped from the Headlines). Yankton: Erickson Press.
Aufderheide, P. (1993). Media Literacy. A Report of the National Leadership Conference on Media Literacy.
    Washington, DC : Aspen Institute, Communications and Society Program.
Gordon, S. M. (2005). Downloading Copyrighted Stuff From The Internet: Stealing Or Fair Use?
    (Issues in Focus Today). Berkeley Heights: Enslow Publishers, Inc.
iTunes Home. (2010). Retrieved June 22, 2010, from iTunes: http://www.apple.com/itunes/
Jamendo Home. (2010). Retrieved June 22, 2010, from Jamendo: http://www.jamendo.com/en/
Kaiser, T. H. (2003, December 9). Key Facts: Media Literacy. Retrieved June 21, 2010, from The Kaiser Family
    Foundation: http://www.kff.org/entmedia/upload/Key-Facts-Media-Literacy.pdf
Microsoft. (2008). Digital Citizenship and Creative Content: A Teacher's Guide. Retrieved June 21, 2010, from Digital Citizenship Education: http://www.ipreducation.com/
News and Events. (2008, February 13). Retrieved June 21, 2010, from Microsoft News Center:
    http://www.microsoft.com/presspass/press/2008/feb08/02-13MSIPSurveyResultsPR.mspx
Ribble, M. S., & Bailey, G. D. (2004). Monitoring Technology Misuse & Abuse. THE Journal , 22-25.
Teen Tech Week (YALSA). (2010, April 1). Retrieved June 21, 2010, from American Library Association: http://www.ala.org/ala/mgrps/divs/yalsa/teentechweek/ttw10/home.cfm

These lesson plans, guides, and other resource materials for young adult literature topics were created by participants in a reading course in young adult  Literature.  Each resource is copyrighted by the individual educator who developed the material.  The  present course being taught is titled: Young Adult Literature in the Reading Program from the University of Wisconsin-Stout  (Sharron L. McElmeel, instructor)
© 2010 Sharron L. McElmeel